Monday, 20 January 2014

Recommended Read: S.

My brother, Harvey, gave me 'S.' by J.J. Abrams and Doug Dorst for Christmas. I knew that he'd been really excited about the book he was currently reading, and had bought me the same one, but I wasn't expecting such an exciting and unusual reading experience.

'S.' is physically beautiful. It comes in a black box with a seal that you have to cut to get to the book itself. The book inside is the real treat; a perfectly aged replica library book awaits you. The pages have been yellowed and, I have no idea how they did this, it even smells like an old book. The spine is sewn (a proper book!) and there is even a library sticker and stamps showing when the book has been borrowed inside.

Not only that, but tucked between the pages (which is why the book needs its case) are various postcards, photographs and hand written letters that enhance the story. There is even a map drawn onto an actual napkin! The cost of producing this book must have been incredible! I can't believe how reasonable it is to buy though.




The book inside the 'S.' case is called 'The Ship of Theseus' and has been written by the fictional author  V. M. Straka. We learn from the forward (written by his translator whom he worked with over many years) that this was the final book Straka wrote before his mysterious death. The translator admits that not all of the pages of the final chapter were recovered and that he has completed the book for the author, so we don't know how much of the book is truly Straka's work. Nobody, not even the translator, knows the true identity of Straka and this has become the subject of many conspiracy theories and academic debates.

As you can see from the trailer, the book is full of annotations. These annotations are a series of conversations between two people who are trying to solve the mystery of who Straka was, before another academic rival does. There may also be other parties involved in trying to solve, or cover up the mystery, which builds a lot of suspense throughout the annotations. To add further complication to the book, the discussion between the two people is not chronological. There are 4 of 5 different conversations which are dispersed throughout the book, so you are constantly getting a sneak peak of what is to come.

'S.' is definitely not a light read. There are so many layers to the story that it is often hard to keep track; In the novel you are wondering who the mysterious S. character is, as well as searching for clues to Straka's true identity, you do not know how much the translator has altered the original manuscript, or how reliable his frequent footnotes are. On top of that, you become very attached to the two people having the annotation conversations about the book and want to know whether they solve the mystery unharmed. The fictional websites referred to by the annotators are actually real websites, so you can become fully immersed in the story and the theories.

There are a lot of different ideas online about how you should read the book, from reading the entire novel first, without looking at the annotations, to reading it all in one go. I fall into the latter category, and found that the most enjoyable way for me to read the book was to read a double page of the novel at a time, and then read the annotations before moving on. This is partly because I am very impatient and couldn't resist peeking at them! I think whichever way you choose to read it will alter your reading experience, but it will definitely be the most unusual book you've read for a while.

This is not an easy read to dip into for a few pages before you go to bed. I'd say you have to devote at least an hour at a time to it for a satisfying read. 'S.' is a bit like 'Lost' combined with a mystery novel, with a hint of 'The Jolly Postman' (who doesn't love a book full of postcards and letters?). There are some very dark scenes in the book, so it is definitely only appropriate for adults. 

'S.' is such a clever book with so many names, layers and clues, that I suspect a lot of it went over my head in the first reading. I finished reading the book over the weekend and still don't feel like I have all of the answers yet. Definitely one for a re-read soon! Even though I don't fully understand everything, this book gets five stars from me for sheer beauty and such an immersive experience. I think, with the rise of the ebook, this is the direction that physical books should be heading. 'S.' is available as an ebook but I think this would completely take away from the work of art that is the book itself, so I recommend you get the real deal!

Monday, 6 January 2014

New Year, New Sketchbook

Happy New Year!

As you've probably gathered from previous posts, Christmas is my absolute favourite time of year so the January Blues usually strike with a vengeance around now. 

2014 is going to be a very exciting year though; I have been working on lots of new products involving my illustrations and my mum and I are going to be having our first exhibition together in the spring (I will be writing more about this closer to the time).

Like most people, my resolutions involve grand exercise plans, but I thought I would share one of my illustration based resolutions. I was given a beautiful journal from Lisa Parker's shop for Christmas. I love looking through old sketchbooks, particularly ones with notes in too. For some reason I haven't been keeping a sketchbook as regularly as I should be, so my resolution is to sketchbook daily in my new journal. Hopefully I will have worked my way through a few of them by the end of the year (I have the barn owl one and have my eye on the wolf one next!).

I'm not setting any rules for myself, other than I have to do something in the sketchbook every day. It doesn't matter if it's drawing, writing, or sticking something in, as long as it's daily. 

Showing someone your sketchbook is a bit like showing someone your diary. I think the whole point of it is that you don't need to worry about what anyone thinks about it, and you can doodle ideas that you might never use. So I decided that I will post a few pages once a month, rather than daily or weekly.

Once I've created a habit of doing something, it comes easily to me. It's getting started that I find most difficult so to kick things off, I created a board of inspiring sketchbooks and journals that can be found here.

Wednesday, 11 December 2013

Reddit Secret Santa 2013

This is the first year that I've taken part in Reddit Secret Santa, and I have really enjoyed it!
If you haven't heard about it, it's the world's biggest secret santa gift exchange. There are over 100,000 people taking part this year which will be a world record!

You sign up on redditgifts.com and on the 2nd of December they match you with another Reddit user. You then get sent a little bit of information about your giftee, depending on how much of their profile they have filled in. You can also use this information to do a little non-creepy online stalking to find out more about your giftee (I have been trained by my Reddit-pro brother!).

At the same time, your name is given to another person from anywhere in the world. So I have no idea who my Santa is, but am ridiculously excited to find out. There are even celebrities like Bill Gates, Bear Grylls and Arnold Schwarzenegger taking part!

When I first received my giftee's information I was a little nervous because they are very sporty and I am definitely not. They are interested in horses (I'm allergic), football (I'm a rugby girl) and cycling (I haven't been on a bike since I knackered my knee a few years ago!). So I didn't really have a clue where to start, but really enjoyed the challenge.

Luckily, I have sporty friends and family members. My giftee (who will have to remain a mystery so I don't give the game away) is training for a cycling event so my first gift to them is a Buff. These are really good for outdoorsy people because they are a great way of staying warm without risking a scarf getting caught in whatever you're doing. I chose a horsey pattern to match my giftee's interests.

I then bought some energy jelly beans that my dad used to train for his 10k run this year. He said that they were useful, so I hope that they enjoy them. I also got a personalised cycling chocolate bar for them as a Christmassy treat. I love chocolate so that's sharing something I like too!

The main reason I'm writing this blog post though, is the final two gifts in my present. I wanted to share a few of my interests with my giftee. I love reading, and obviously art, so I tried to think of a book and illustration I could draw for them that would reflect their interests and well. Last month I went to see 'War Horse' at the theatre which was absolutely amazing, and as my giftee is interested in horses it seemed like the perfect book to include in their present.

I decided to draw Joey, the horse from the story, for them. I'm posting the gifts today and have written on the tag of my illustration that my giftee can find out how it's made here.

As usual, I worked in dip pen with ink and watercolour to produce this illustration. 

My very messy art materials!



I began by mapping out the main shapes in pencil, and then added detail in dip pen and ink. 




Next I added washes of ink to add shading and depth to the picture.





After that, I began to add washes of watercolour. I waited for each layer to dry before adding more.






Then I added more detail and texture with watercolour crayon. Finally, I added little splashes of colour to give the illustration movement and make it more atmospheric. This is a one-off illustration just for them.

Once it was finished, I mounted it with blue board and packaged it ready to ship!




I've now got all of my gifts wrapped and am heading to the post office. I'm so excited and nervous about sending the gifts. To my giftee, I really hope you like them and have a very merry Christmas!

Presents pre-wrapped. I included the candle in the photo to make it look a bit more festive and managed to
burn my finger on it- oops!

Wrapped and ready to go!


*UPDATE* I'm absolutely thrilled that my giftee loved their present and sent me the nicest thank you message :)


Wednesday, 4 December 2013

Yuletide Tunes

To be honest, my Christmas preparations started quite a while ago, but now that it's officially allowed, I thought I'd share some wintery music that inspires me.

My favourite Christmas album is Annie Lennox's 'A Christmas Cornucopia'. This is great because it's a bit of a twist on some very well-loved carols, including my favourite; 'The Holly and the Ivy'. I love the pagan influences and muted colours in 'God Rest Ye Merry Gentlemen' which help create a dream-like fairy tale feel.




Although I've enjoyed Kate Rusby's music for a while now, I only recently started listening to her Christmas albums. I started listening to them because I'm going to see her at Malvern Theatres later this month. These are traditional folk versions of well known carols so sound slightly different but are very catchy after a few listens.



From Kate Rusby's sing-along songs to something a bit quieter. I've had a soft spot for Enya ever since the wonderful 'May it Be' for 'The Fellowship of the Ring'. Plug in your earphones, take yourself on a solitary winter walk through a forest and let your imagination take you to a land of castles and magic.


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Monday, 25 November 2013

Pitt Rivers Museum

Over the weekend we had a Smith family outing to one of my very favourite places- The Pitt Rivers Museum in Oxford. 

Pitt Rivers is absolutely crammed full of different collections from around the world, ranging from witchcraft artefacts to shrunken heads. I am a natural hoarder, particularly of shiny things, so everything about the museum appeals to me. This was my third visit, but I think it's one of those places where you could visit for the rest of your life and always discover something new.

Here are some pictures from the day. 

Just to warn you, there are pictures of skulls and shrunken heads below, so if you don't want to see them, please don't scroll down!


Three floors of treasure to explore


My favourite discovery: healing sea-horses!


I love all of the hand-written labels 



Wooden masks

I really liked this fabric design

Treatment of Dead Enemies section


A rather grizzly shrunken head.
For some reason this one reminds me of the uncle
 in 'The Magician's Nephew'

Another shrunken head. These are eerily small.


Mum and Harv are happy- they've found the skulls!



These keys really appeal to my inner magpie

Many of the drawers beneath the cabinets are unlocked so that you can
find even more curiosities



Tarot and playing cards

Bottles and jars




A testosterone-fueled walk through the weapons section

Unfortunately the Natural History Museum in the same building was closed for
restoration work.
 A perfect excuse to re-visit when it's finished in February!



Wednesday, 30 October 2013

Barn Owl Inspiration and Inking Process

Over the weekend we had fairly windy and rainy weather so I decided to have a 'Hibernation Day' indoors and re-watch my favourite film: Labyrinth. As I've previously mentioned, I love everything about this film.

If you've never seen it (Why?!), David Bowie's Goblin King is able to turn into a barn owl. As you do.  According to IMDB, this was actually the first attempt at including a CGI creature in a film.

Re-watching the film reminded me of how much I love barn owls. In English folklore they have been seen as quite menacing creatures and have even been linked to death. I think they were just misunderstood because they look so beautifully other-worldly. If you want to read more about them, I found a really interesting website here.

So, inspired by my favourite film, I decided to create my own barn owl illustration today. 

I often get asked what I use in my illustrations, as well as how long each one takes me. The short answer to this is that it varies from piece to piece, and I'm often enjoying myself so much that I don't actually know how much time I've spent on something by the time I've finished. A large scale piece, like the one I started today, usually takes at least 3 days of actual painting and drawing time.

I thought I would share the first few stages of a piece with you today. 

All of my work begins with mapping out a very rough sketch in pencil. I try to do this very quickly and not over-think it, but just try to capture a bit of life in what I'm drawing. I then do my main sketching with an old fashioned dip pen and Chinese black ink.

Dip pen and ink sketch detail

The next stage is my favourite. It's really important to me that I capture the feel of something rather than perfect details, so I like to make a mess here. I work over my dip pen and ink sketch with washes of water and different sized paint brushes to begin adding shading and some details. I usually chuck a bit of water on the paper and let it run down (I work on an easel). You can see this in the picture below, as well as where I've flicked the paintbrush on the wing. By this point I have permanent ink all over my clothes and face!


Adding wash details

I keep working over what I've done using water, ink and brushes until I'm happy with the first layer. It was getting quite dark by the time I'd reached this stage (below), so my spotlight was adding a touch of spooky lighting, which I actually really like!



Current stage. First layer of ink complete.

It'll be another 6 or 7 layers of different colours and materials before I add the final details to the illustration.